April 2018
Paris, 1720
Mika Putterman - baroque flute, flûte baroque (Hotteterre) // Amanda Keesmaat - basse de violon // Daniel Zuluaga - theorbo, théorbe et guitar, guitare // Aleks Schürmer baroque flute, flûte baroque (Naust) // Oeuvres de / Works by François Couperin, De Visée, Jaques-Martin Hotteterre, Joseph Bodin de Boismortier, Michel Blavet ...
Buy Now | Acheter »June 2018
Paris, 1860
Mika Putterman - romantic flute, flute romantique (Piatet) // Chris Palameta - romantic oboe, hautbois romantique // Gili Loftus - fortepiano, pianoforte (Erard) // Faites-Vous transporter à Paris 1860, avec des oeuvres de Jean-Louis Tulou, Jules Demersemann, et Frédéric Chopin le tout sur des vrais instruments de l’époque et découvrez des nouveaux sons de la flûte, l'hautbois et le piano. Come be transported to Paris, the year: 1860. Hear the works of Jean-Louis Tulou, Jules Demersemann, and Frédéric Chopin all on…
Buy Now | Acheter »November 2018
New York, 1920
Aleks Schürmer - flûte Böhm conique Antoine Malette-Chénier - harpe à pédales Jennifer Thiessen - alto With the establishment of the Juilliard School in the 1920s, New York became a flourishing city for music, enticing top European teachers to establish themselves in North America, forever changing the artistic landscape. In a period-style programme of both ‘serious’ and ‘light’ classics, the unique formation of flute, viola and harp (first composed for by Claude Debussy in 1913) is showcased with both original…
Buy Now | Acheter »December 2018
Christmas House Concert
SOLD OUT Mika Putterman - traverso Susie Napper - cello Antoine Malette-Chénier - triple harp Georg Phillip Telemann - Fantaisie No. 3 Johann Sebastien Bach - Sonata e minor BWV 1034 Jean-Marie Leclair - Sonate VII pour flûte Giovanni Benedetto Platti - Sonata V G major SOLD OUT
Buy Now | Acheter »April 2019
Au salon!
Beethoven, Chopin, Hummel, Rossini & Szymanowska sur instruments d’époque Mika Putterman, flûte romantique Laura Andriani, violon David Jacques, guitare romantique Gili Loftus, pianoforte Susie Napper, violoncelle Across Europe in the 18th and 19th centuries, the Salon was the public gathering place for the free exchange of new and developing ideas. Far from the aristocracy, an ambitious middle class, active intellectuals and forward thinking artists from the densely populated cities engaged in debate and conversation on seemingly “modern” topics like politics,…
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